Giovanna Mancuso

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Mancuso Giovanna lives in Cormano, in 2009 she was fascinated by the transparency of a watercolor seen by chance and began to paint as a self-taught, and then became a pupil of Maurizia Perico, Gabriella Musajo, Renata Bonzo, Paolo Fabbro and Davide Parenti. He followed the work shops of Nadia Tognazzo and Fernando Cavalieri.

Since 2014 he has also tried to perfect himself in drawing under the guidance of master Paolo Fabbro and Eligio Bossetti.

He teaches with passion to kindergarten and elementary school children.

In 2013 he won the first prize in the competition of the Madonna of the pillar in Bresso.

 

In 2015 and 2016 he won the prize for the best executive technique in the Color and Matter competition at the Click Art gallery in Cormano (MI)

Since 2017, he has been teaching at the Pro Loco of Cormano

Giovanna Mancuso. The magic in detail.
Giovanna Mancuso's works have the charm of a simplicity of the past, but that
behind their apparent ease they hint at an articulated and clear vision of reality.
A precision that of Giovanna Mancuso to go so deep as to grasp this
behind the image of a flower rather than a landscape. That is its history.
And it is precisely this ability to retrospectively probe reality that gives substance
to the production of this artist. The mark of the brush, soaked in color and dipped in water,
it is therefore not a simple feature, but an element of an imaginary plastic construction
that the artist places on paper, where the "third dimension" is not width or lo
thickness, but what happened. A temporal dimension therefore that corroborates the
vision of the present. This is perceived in certain "postcards" of countries or glimpses of
landscapes where the representation is so clear and skilful that it is natural to immerse oneself
in the atmosphere from which these images arose. Giovanna Mancuso does not stop at the evocation of a past reality, but tries to interpret it, decode it. Hence the need to go down to the level of writing, in the literal sense of the term. As if behind an image there was a complex symbology, not so dissimilar from that of the programming languages ​​that encode the images visible on a computer. This is the meaning of the artist's research on oriental calligraphy, where the ideogram is not the point of arrival but of departure, of a path aimed at grasping the quintessence of what animates a vision.
It is no coincidence that the artist's attention was directed to the writing belonging to
a world so remote and distant, geographically and culturally, like that of Zen and
Shodo. As if only thanks to an absolute distancing, a sort of mental reset,
it was possible to fully account for the inner life of what is close to us. It is so
that a poppy or an old tram become a metaphor for a precious world from
preserve, at least on paper, before it's too late.

Paolo Avanzi

NATURA

NATURA

70 x 50 cm disegno eseguito a carboncino colore sanguigna

GERMOGLI

GERMOGLI

50 x 70 cm litografia tiratura 99 esemplari + 19 pdA

IL SOGNO

IL SOGNO

50 x 70 cm serigrafia tiratura 125 esemplari + 25 PdA

L'ULTIMO SOLE

L'ULTIMO SOLE

60 x 80 cm pittura a olio

OLTRE IL CIELO

OLTRE IL CIELO

50 x 70 cm gessi policromi

L'UOMO AFFACCIATO AL MONDO

L'UOMO AFFACCIATO AL MONDO

50 x 70 cm tecnica mista, base tempera, acrilico, gessi policromi

VITA DAL CIELO

VITA DAL CIELO

80 x 60 cm acrilico

TERRA...L'ARCA DELL'UNIVERSO

TERRA...L'ARCA DELL'UNIVERSO

80 x 60 cm digital art

ARCOBALENO

ARCOBALENO

70 x 50 cm digital art

METROPOLIS ANNO 3000 d. C.

METROPOLIS ANNO 3000 d. C.

80 x 60 cm digital art

GENERAZIONI

GENERAZIONI

70 x 50 cm digital art con applicazione di scultura multipla in legno di balsa

ATTESA 2

ATTESA 2

70 x 50 cm digital art con applicazioni di sculture in legno di balsa

APPARENZA

APPARENZA

50 x 70 cm digital art con applicazione di scultura in terracotta dipinta con colori ceramici perlescenti

VENEZIA A COLORI

VENEZIA A COLORI

70 x 50 cm digital art con applicazioni di sugheri decorati

LA PORTA VERSO IL FUTURO

LA PORTA VERSO IL FUTURO

digital art con applicazione di sughero decorato

BIG BANG

BIG BANG

32 x h42 cm scultura in legno di cirmolo con sfere di legno di faggio e acciaio. Base girevole in legno di Olmo colori a base di anilina, acrilici ceramici, finitura lucida